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IEA artist Sondra Perry will be holding a solo show, titled flesh out, at Squeaky Wheel Film and Media Arts Center in Buffalo, NY, from January 20th – April 1st. Additionally, the will be an opening event from 6:00-9:00 pm on the 20th with an artist talk at 7:30 pm.

The five works included in this exhibition of work by Sondra Perry are critical investigations into the way digital technology gives shape and encompasses representation. If you will be in the Buffalo area make a point to visit Squeaky Wheel to see flesh out and all of the other great work and exhibitions that take place there.

Wet and Wavy Looks—Typhon coming on (2016)

Wet and Wavy Looks—Typhon coming on (2016)

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On Friday, December 9th at, 7:00 pm IEA artist in Residence Inhye Lee will be giving a talk with space physicist Hyomin Kim, PhD, in conjunction with the exhibition, Unseen Forces, at the SOHO20 Gallery in Brooklyn, NY. The exhibition sees Lee and Kim collaborating on work involving the impact of what is now called “space weather” on the human life and technology, which will be the primary focus of their talk.

If you are in the area make a point to attend the talk or see the exhibition. Unseen Forces will be on display from now until December 18th.

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The Bret Llewellyn Gallery is proud to announce a new exhibition by Binghamton artist Brian Murphy, who participated in an IEA residency in March of 2016. This exhibition features multi-channel projections, hand modified cathode ray tube televisions, books and anaglyph 3D video that explores ecstatic possession and the fabrication of conflict using video, archival film, sound, artist books and new media processes.

Brian is an artist living and working in upstate New York. He is the co-founder and director of Transient Visions: Festival of the Moving Image and his work has been exhibited at the Western New York Book Arts Center in Buffalo, the Gagosian Gallery in New York and at the Visual Studies Workshop Rochester.

The exhibition is on view from October 27 through November 17. Gallery hours are 9 a.m.-4 p.m., Monday through Friday. The gallery is located in room 312 of the Engineering Technology Building. There will be an opening reception on Thursday, 10/27 at 6 p.m. – Room 312 SET Building.

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Early One Morning, a solo exhibition by IEA artist Roberley Bell will be opening on September 9th, 2016, at the BT&C Gallery in Buffalo, NY. Early One Morning will include both sculpture and photographic work by Bell, who is best known for her sculptural and installation work that creates a dialogue between our interior and exterior worlds, as well as nature and its synthetic likeness. Included in the show are print works Bell produced during her residency in June, 2016, of her documentation of towels hung out to dry in various locations in Istanbul, Turkey; a common sight on the city’s streets which Bell uses almost as a color study of an otherwise mundane city color pallet.

Early One Morning runs from September 9th to October 22nd, with an opening event on September 9th from 6:00 to 9:00pm.

Our colleague Andrew Deutsch will have show opening soon in the Project Space of the Burchfield Penney Art Center if Buffalo, NY.

Object as Energy Point is an evolving and growing piece which started in 1995 – it began with a 12 x 6 inch wooden box. Created by artist Andrew Deutsch, every object in the show is a loudspeaker, a transducer, or a metaphor for a speaker. It incorporates ceramic glazed elements as metaphors for “klangfarben” and their arrangement as “klangfarbenmelodie” (tone color and tone color melody).

The installation extends beyond a symphonic-sculptural speaker display to include videos or “Electro-dynamic Drawings”. The projected visual content is generated by a process in which sound is the source for the image (this is known as audio reactive art). The result is a visual electronic landscape, generated by and inter-modulated with sound.

Object as Energy Point will be on view from April 8th – July 24, 2016 with an opening event on April 8th from 5:30 – 7:30 pm.

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The IEA is excited to participating in an exhibition at the Javits Center in New York for the 2016 New York City Lunar New Year. Fantastic Art China: International Creative Festival features the works of top master and emerging contemporary Chinese artists from The China Central Academy of Fine Arts (CAFA) along with other rising young artists from China and America.

Featured IEA artists include Jason Bernagozzi, Rebekkah Palov, and Sondra Perry. In addition, the School of Art and Design at the NYSCC of Alfred University will be featuring work by Brandon Barr, Colleen Marie Foley, Eric Souther, Sang Un Nam, Wang Rui, and Yasmina Chavez.

Fantastic Art China opens on February 6th at 5:00 pm. Additionally, IEA Co-Directors Joseph Scheer and Peer Bode and IEA member Andrew Deutsch will be giving a talk on the following day about the IEA and the graduate and undergraduate programs of the Division of Expanded Media of the School of Art and Design at the NYSCC. If you are in the New York City area between the 6th and the 9th be sure not to miss it.

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The IEA is excited to announce that the Typology Morphology show is migrating to the T + H Gallery in Boston, MA.

Typology Morphology will be on display from November 6th to November 28th, 2015 at the T + H Gallery at C20 & C19, 460 Harrison Ave, Boston. An opening is at a date to be determined.

Typology/Morphology Opening Night

Typology/Morphology, an exhibition of work by IEA artists currently on display in the Fosdick-Nelson Gallery, enjoyed a warm reception on its opening on September 4th, 2015.

Typology/Morphology highlights artwork produced at the IEA by 26 resident artists: Cory Arcangel, Brandon Ballengée, Xu Bing, Robert Brinker, Lawrence Brose, Diana Cooper, Matilda Essig, FLATSITTER, Lindsey Glover, Ann Hamilton, Phil Hastings, Oliver Herring, Xiang Jing, Pamela Joseph, Luftwerk, Thane Lund, Traci Molloy, Joseph Nechvatal, Chi Peng, Sondra Perry, Janet Pritchard, Kiki Smith, Emil Schult, Ari Tabei, Woody Vasulka, and Huang Yan.

Below is a selection of images from opening night:

This exhibition was made possible in part with support from the School of Art and Design, donations from individuals, private industry, and grants from foundations and government art funding agencies including the New York State Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.

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The Institute for Electronic Arts is excited to announce an upcoming exhibition at the Fosdick-Nelson Gallery in Alfred, NY, entitled Typology/Morphology. This exhibition will highlight artwork produced at the IEA by artists who have participated in our artist in residence program. Resident artists include: Cory Arcangel, Brandon Ballengèe, Xu Bing, Robert Brinker, Matilda Essig, Ann Hamilton, Oliver Herring, Pamela Joseph, Xiang Jing, Luftwerk, Joseph Nechvatal, Chi Peng and Kiki Smith, just to name a few.

The exhibition opens on Friday, September 4th through Friday, October 9th. An opening reception will be held between 7:00 and 9:00 pm on September 4th. Gallery hours are Monday-Friday, 11:00 am – 4:00 pm, and Saturday and Sunday, 1:00 pm – 3:00 pm.

Brett and Jeremiah performing Sine Qua Non

The IEA welcomed back Brett Sroka of Brooklyn, NY as our artist in residence over the week of March 30th. A composer, musician and sound artist for film, dance, installation who has released five records with his electro-acoustic jazz trio Ergo, and melodronoise duo Cherubim, Brett is an accomplished jazz musician, proficient with the trombone and an array of other instruments, as well as an electronic musician and Max/MSP composer.

The primary focus of Brett’s residency was a new project entitled Syllable from Sound, a participatory installation that integrates the voices of it’s visitors into a modular composition. Volunteers from the community were invited to speak into a mic Brett’s Max patch was processing live, sampling and distorting the sounds, and having this sound play from one of four speakers positioned in the room. When a new sound was introduced it would be sent to a different speaker in the room and, when all of the speakers filled, an newly introduced sound would push the previous sound down in priority and eventually out of the composition entirely. A constantly shifting audio space full of the fleeting history of those who have passed by is created, with the potential for participants to impact the work in the same fleeting manner.

Brett also performed his piece Sine Qua Non during his time at the IEA on Wednesday, April 1st. Developed at the IEA and Vilnius Academy of Art – Nida Art Colony in Lithuania, Sine Qua Non is an improvisational performance that transforms into a generative sound installation. It was premiered at Roulette in Brooklyn, NY in 2014, with pianist Carl Maguire and has been performed at other venues since then. For the performance at the IEA Brett was accompanied by Jeremiah Cymerman, a composer, clarinetist, producer and sound engineer who has been described as “an impenitent genre-breaker whose membership among today’s greats must be granted now” (Massimo Ricci, Touching Extremes). Brett and Jeremiah held a Q & A session after the performance and the installation component of Sine Qua Non was installed and ran in the Immersive Gallery space throughout the rest of Brett’s residency.

Below are images of Brett’s residency and a video of the Sine Qua Non performance.

Brett collaborating with a student on Syllable from Sound

Brett and Jeremiah performing Sine Qua Non

Performance and crowd at Sine Qua Non

Brett and Jeremiah performing Sine Qua Non

Performance and crowd at Sine Qua Non

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